To a rain soaked Glyndebourne yesterday to see a slightly 'iffy' production of Richard Strauss's Ariadne auf Naxos. Really wasn't sure about the second act which featured mental breakdown, sex addiction, maniac depression, straight-jackets, suicide attempts and enamelled hospital beds; but I did get another chance to inspect Henry Moore's magnificent Draped Reclining Woman, on permanant loan from The Tate Gallery. This is one of a series of six castings, made between 1957 and 1958.
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